Justina Machado and Rita Moreno are, of course, reliably fantastic as the mother/daughter matriarchs of the family, and Todd Grinnell, as handyman/landlord Schneider, is given a chance to shine. Tom Hollander’s Lance “Corky” Corkoran could have been your typical nefarious character who’s onto our hero, but instead he’s an addict in desperate need of Roper’s attention, which is all the more delicious. It’s the streaming version of your sex-ed teacher’s anonymous slips of paper, except the laughs aren’t sniggers—they’re hard-won, empathic guffaws. The way it curbs our freedom, diminishes our privacy, and subjects us to anonymous attacks can feel like an unforgivable violation. (It’s unfortunately brilliant). The strange, winding saga of Community will forever stand as the stuff of TV sitcom legends. —Matt Brennan, Created by: Robert King, Michelle King Stars: Julianna Margulies, Matt Czuchry, Archie Panjabi, Graham Phillips, Makenzie Vega, Josh Charles Original Network: CBS, 2009-2016, Are network dramas supposed to be this good? The first season drops copious hints at the show’s central mythology, but doesn’t put all its cards on the table until the end of an unforgettable season finale. Renew every damn thing about Russian Doll that helped make it such a brambly triumph of black comedy, macabre ennui and existential optimism. America knew what it was immediately, even if we didn’t know exactly where it was going. Yes, there were so many great series but also just so many series. It goes without saying that Ritter was the MVP as the titular “B—”, but Walker was also able to play June in a way that wasn’t just a buzzkill for Chloe’s insanity, instead leaning into the exaggerated nature of all of it, with every reaction (June’s shock and horror at Chloe’s actions are all-time great reaction shots) more impressively exaggerated as time went on. Grey’s is my ultimate comfort-food TV, and I bet it will become yours too. 30 Rock doesn’t have complex themes or a deep message, but that stuff would get in the way of its goal: having one of the most consistently funny shows ever on TV. When they’re making illicit purchases in a back alley at night with Tim’s sanity-challenged father, they’re not buying drugs, but fireworks. And by “miss” I don’t mean we reflect fondly upon the show, which made us laugh and exists no more, but that our culture literally feels its absence, all the more glaring in the country’s depressing racial climate. By Eric Brandt. Jane (Katie Stevens), Kat (Aisha Dee) and Sutton (Meghann Fahy), twenty-something women trying to find success at Scarlett magazine while navigating their complicated love lives and the ups and downs of friendship, speak not only to The Bold Type’s target audience, but to women of all ages. Fringe wasn’t as powerful or moving as Lost ultimately proved to be, but it was a far more focused and deliberate show, which makes it stronger and more satisfying in many ways. It’s hilarious and riveting, raw and honest. Then came Hereditary! Not right now … but one day. It gets much, much better. Succession is a combination of Tom’s exclamation “what a weird family!” and Logan’s “Money wins. But the real reason to stick with the series is to partake in the show’s game-changing fifth season. Evil and Cabin in the Woods were hilariously tearing apart the foundations of horror tropes, creaky after decades of abuse, allowing for something else to be built upon the remains. Whether it’s Martin Freeman’s hapless Lester Nygaard in Season One, Jean Smart’s cold and calculating Floyd Gerhardt in Season Two, or Ewan McGregor’s bumbling Stussy twins in Season Three, each season has brought us its own cadre of terrific actors. Much to her dismay (and luck), she is then reacquainted with her oldest friend, Chloe (Jodie Comer). The series’ look at marriage, particularly a marriage in the thick of raising small children, was equally realistic. —Mark Rozeman, Created by: Robert and Michelle King, Phil Alden Robinson Stars: Christine Baranski, Rose Leslie, Erica Tazel, Cush Jumbo Original Network: CBS All Access, 2017-present, With “The One Where Diane and Liz Topple Democracy,” The Good Fight achieved the holy grail of the TV spin-off: It’s taken the animating question of The Good Wife—How far can you push the law?—and reinterpreted it for our own moment: Does the law even matter? “New York, I Love You,” which stepped away from the main characters to showcase the vibrant diversity of the city and “Thanksgiving,” which chronicled Dev’s childhood friend Denise (Lena Waithe) coming out to her family, are easily the season’s highlights. From the laughing wolf of “Helen” and the night-dark “Woods” to the terrifying title character of “Teddy Perkins” (played, in whiteface, by Glover himself), Atlanta becomes a wickedly funny, unspeakably beautiful anthology of American horror stories, one that reckons with the definition of both “blackness” and “whiteness,” and treats the latter, rightly, as a malevolent force. —Garrett Martin, Created by: Keegan-Michael Key, Jordan Peele Stars: Keegan-Michael Key, Jordan Peele Original Network: Comedy Central, 2012-2015, We already miss Key & Peele. The art of the series imitated life, but of concern was that life sometimes imitated the art. Counterpart explores what-if questions of making different choices in one’s life, and how things might have changed. —Amy Glynn, Created by: John Oliver Stars: John Oliver, David Kaye Original Network: HBO, 2014-present, John Oliver has lapped all the other news satire shows by focusing on global issues and devoting up to half of each episode on a single main story. —Allison Keene, Created by: Armando Iannucci Stars: Julia Louis-Dreyfus, Anna Chlumsky, Tony Hale, Reid Scott, Timothy Simons, Matt Walsh, Kevin Dunn, Gary Cole Original Network: HBO, 2012-2019, 2019 was the right time for HBO’s long-running political satire to have come to a close. The characters deal with abortions, parental abandonment, sex, body issues, and the difficulties of friendships and relationships with an imperfect protagonist who continuously hits rock bottom. While grandmas and neighbors panic, and drunken youth egg the desperate pyromaniac on, Cawood adopts a pretty lax approach. The 100 Best TV Shows of the 2010s The best of the decade that was. Maslany played a host of clones on a sci-fi show that’s not just for sci-fi fans. Reality shows, documentaries, and miniseries were all in contention alongside scripted shows; basically, any serialized storytelling could make the list. —Matt Brennan, Created by: Dan Harmon Stars: Justin Rolland, Chris Parnell, Spencer Grammer, Sarah Chalke Original Network: Cartoon Network, 2013-present, One of the most brilliant shows on television, Rick and Morty uses its nerdiness and intelligence not as a gimmick, but as a way to open the (literal) dimensions of creative possibility, whether the ideas are original (interdimensional cable, a sentient gas cloud named Fart) or tongue-in-cheek homage (to The Purge, Inception, even its own interdimensional cable episode). If you haven’t seen it yet, turn off the lights, turn on the biggest screen you own, and prepare to be dazzled. Special shout out to MJ Rodriquez, whose Blanca is the true heart of the series. Whether it’s Fleabag rightly explaining that how your hair looks can be the difference between a good day and a bad day or guest star Kristen Scott-Thomas, whose character receives a women in business award in the third episode, only to rightly decry it as the “fucking children’s tables of awards,” explaining menopause as “it’s horrendous and then it’s magnificent.”. And though there are elements of sci-fi—human cloning and the Neolutionists who believe in scientifically improving themselves (one character has a tail)—most of the characters aren’t the type who would even watch sci-fi. In other words, it’s must-watch television for our time. It has been pure joy to see the Johnson children continue to grow up and the show continue to blossom.
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